Sad Boy Pics Biography
Source (Google.com.pk)Starred Review. This absorbing account by a young man who, as a boy of 12, gets swept up in Sierra Leone's civil war goes beyond even the best journalistic efforts in revealing the life and mind of a child abducted into the horrors of warfare. Beah's harrowing journey transforms him overnight from a child enthralled by American hip-hop music and dance to an internal refugee bereft of family, wandering from village to village in a country grown deeply divided by the indiscriminate atrocities of unruly, sociopathic rebel and army forces. Beah then finds himself in the army—in a drug-filled life of casual mass slaughter that lasts until he is 15, when he's brought to a rehabilitation center sponsored by UNICEF and partnering NGOs. The process marks out Beah as a gifted spokesman for the center's work after his "repatriation" to civilian life in the capital, where he lives with his family and a distant uncle. When the war finally engulfs the capital, it sends 17-year-old Beah fleeing again, this time to the U.S., where he now lives. (Beah graduated from Oberlin College in 2004.) Told in clear, accessible language by a young writer with a gifted literary voice, this memoir seems destined to become a classic firsthand account of war and the ongoing plight of child soldiers in conflicts worldwide. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Adult/High School—This gripping story by a children's-rights advocate recounts his experiences as a boy growing up in Sierra Leone in the 1990s, during one of the most brutal and violent civil wars in recent history. Beah, a boy equally thrilled by causing mischief as by memorizing passages from Shakespeare and dance moves from hip-hop videos, was a typical precocious 12-year-old. But rebel forces destroyed his childhood innocence when they hit his village, driving him to leave his home and travel the arid deserts and jungles of Africa. After several months of struggle, he was recruited by the national army, made a full soldier and learned to shoot an AK-47, and hated everyone who came up against the rebels. The first two thirds of his memoir are frightening: how easy it is for a normal boy to transform into someone as addicted to killing as he is to the cocaine that the army makes readily available. But an abrupt change occurred a few years later when agents from the United Nations pulled him out of the army and placed him in a rehabilitation center. Anger and hate slowly faded away, and readers see the first glimmers of Beah's work as an advocate. Told in a conversational, accessible style, this powerful record of war ends as a beacon to all teens experiencing violence around them by showing them that there are other ways to survive than by adding to the chaos.—Matthew L. Moffett, Pohick Regional Library, Burke, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
See all 768 customer reviews
The human spirit is amazing.
N. Cross
It is a fantastic story for everyone to read and will really open everyone's eyes to what is going on in the world.
Jessica V
Written in a very simple style, the book tells the story of the teenage years of Ishmael Beah.
Andrew Desmond
Most Helpful Customer Reviews
233 of 250 people found the following review helpful
Difficult but worthwhile
By Lauraloo Mattox on February 25, 2007
Format: Hardcover
While I did find this book painful to read, I am very glad I stayed with it. Ishmael tells his story in casual language, almost as if he were sitting next to you, sharing his experiences over (many cups of) tea.
He relays his life to us chronologically, beginning in his home village. He and some friends took a several day trip to a neighboring village to show off their hip-hop skills at a talent show. Little did they know, that little trip probably saved their lives. For while they were away, the rebel army attacked their home village.
From there, we follow Ishmael and his friends as they try to find their families (all had had to flee the village, literally running for their lives) struggling to meet the barest of necessities. It is a long, dangerous road they walk, and they suffer countless difficulties as they try to find somewhere safe to stay. A tunnel with no light. You really feel the desperation, the loneliness and despair that descended upon this poor little boy. Much of the book is about this time of wandering, going hungry, being ill-met by other villages who suspect these young, homeless friends of being a wandering squad of rebel child-soldiers. They are met with suspicion at best, hostility at worst.
It is actually understandable when Ishmael is manipulated into fighting with the government army. He is finally in a village that feels safe, he is eating, there are soldiers protecting the village, that is until the rebels surround the village, leaving no path for escape. All males (even 6 or 8 year olds) must fight for their lives, or die.
It begins as such, fighting for the "good side," the ones who did not kill his family, and fighting to defend himself
“As soon as I got a microphone in my hand, when I was about 14, I realised I wanted to do this,” she says. “Most people don’t like the way their voice sounds when it’s recorded. I was just so excited by the whole thing that I wasn’t bothered what it sounded like.”
A fan of such diverse artists as Jill Scott, Etta James, Billy Bragg, Peggy Lee, Jeff Buckley and The Cure, Adele’s soul-tinged songs of love’s lost and memories made are set to resonate with all who hear them.
“I’ve got no problem explaining what my lyrics are about,” ADELE says. “I really like poetry: I’m not very good at reading it, but I love writing it. Singers like Jill Scott and Karen Dalton are amazing; proper poets.”
“My debut album is about being between 18 and 19; about love,” she continues. “‘Daydreamer’ is about this boy I was in love with, like proper in love with. He was bi and I couldn’t deal with that. All the things I wanted from my boyfriend, he was never going to be. I get really jealous anyway, so I couldn’t fight with girls and boys. It’s quite a sad album, [with songs about] being cheated on and not getting what you want”.
Anchoring it all together is ADELE’s incredible voice. As immediate as it is undeniable, its power is matched only by her Force 10 personality. “I’ve always liked being the centre of attention, yes,” she laughs.
ADELE is from a resolutely un-musical family. “It all comes from impersonating The Spice Girls and Gabrielle,” she cheerfully explains. “I did little concerts in my room for my mum and her friends. My mum’s quite arty; she’d get all these lamps and shine them up to make one big spotlight. They’d all sit on the bed.” Later, when her dad’s best friend, a dance producer, rightly declared ADELE’s voice ‘wicked’, he invited her to record a cover of ‘Heart Of Glass’. The first time she got a microphone in her hand, she realised her calling.
Secondary school proved instructive in as much as it gave ADELE an outlet to “meet all the R&B kids” and “sit around the playground singing.” But it was a pretty rough place and pursuing music there was something of a challenge, on account of the fact that ADELE wanted to sing and perform her songs but “the teacher was a bit rubbish. They gave me a really hard time, trying to bribe me, saying that if I wanted to sing I had to play clarinet to sing in the choir. So I left.”
So ADELE upped sticks, signing up to The Brit School, the Selhurst college whose alumni number Amy Winehouse, members of The Feeling and Kate Nash. However she had her misgivings…
“If I hear someone’s from stage school I’d think they were a dickhead, and I know it might make me sound like that. But it had free rehearsal rooms and free equipment and I was listing to music all day, every day for years. The music course was really wicked. There was no dancing or anything like that. No jazz hands.”
During her second year, ADELE’s resolve to be a singer was given a little extra boost – Shingai Shoniwa, the turbo-lunged vocalist with The Noisettes moved in next door. “She’s an amazing singer. I used to hear her through the walls. I’d go round and we’d jam and stuff like that. Just hearing her and her music really made me want to be a writer and not just sing Destiny’s Child songs. ”
Despite being quick off the mark on MySpace – her friend set up a page for ADELE’s music on the last day of 2004 – it wasn’t until 2006 that labels started noticing her talent. “I’d hate people to think that I was a ‘MySpace singer’,” she says. “I’ve got no right to be that. I’ve got, like, 10,000 ‘friends’, whereas Jack Peñate’s got about one million…”
When XL called her in for a meeting, ADELE was nervous enough to take a chum with her.
“I never, ever thought I’d get signed. The A&R guy emailed me and I was ignoring it… I didn’t realise they [XL] did all these amazing names…”
Despite interest from plenty of other labels, the independent regarded for its one-off, defining acts (for rock band, see The White Stripes; for rapper, see Dizzee Rascal) proved the perfect match for her one-off talent, and XL will put out ADELE’s stunning debut album “19” early next year. A single, the beautiful heartbreaker, ‘Chasing Pavements’ will precede it.
Before that comes ADELE’s debut release on Jamie T’s Pacemaker Recordings label, ‘Hometown Glory’ – a stunningly evocative picture of “all my fondest memories of London”. ‘Daydreamer’, a remarkable ballad notable for lyrics like ‘feeling up his girl like he’d never felt her figure before’ and ‘he could change the world with his hands behind his back’ has already floored the audience on the prestigious ‘Later With Jools Holland’.
“I don’t know what’s going to happen if my music career goes wrong,” she laughs. “I haven’t had a proper job yet.”
Sad Boy PicsAnd Girl In Love Alone Wallpaper Alone Crying Face And Girl In Rain Images Pic
Sad Boy PicsAnd Girl In Love Alone Wallpaper Alone Crying Face And Girl In Rain Images Pic
Sad Boy PicsAnd Girl In Love Alone Wallpaper Alone Crying Face And Girl In Rain Images Pic
Sad Boy PicsAnd Girl In Love Alone Wallpaper Alone Crying Face And Girl In Rain Images Pic
Sad Boy PicsAnd Girl In Love Alone Wallpaper Alone Crying Face And Girl In Rain Images Pic
Sad Boy PicsAnd Girl In Love Alone Wallpaper Alone Crying Face And Girl In Rain Images Pic
Sad Boy PicsAnd Girl In Love Alone Wallpaper Alone Crying Face And Girl In Rain Images Pic
Sad Boy PicsAnd Girl In Love Alone Wallpaper Alone Crying Face And Girl In Rain Images Pic
Sad Boy PicsAnd Girl In Love Alone Wallpaper Alone Crying Face And Girl In Rain Images Pic
Sad Boy PicsAnd Girl In Love Alone Wallpaper Alone Crying Face And Girl In Rain Images Pic
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